Saturday, February 21, 2009

the notorious betty page (2005), directed by mary harron & copying beethoven (2006), directed by agnieszka holland.

i wouldnt call myself a tv addict. i hardly watch it. i go out to work too early in the morning and come home exhausted like a train wreck. thus i savour every bit of pleasure from having any free time doing absolutely meaningless things. and tv is one of them. and sometimes the things shown on telly, can be interesting to write about.

1. the notorious betty page (2005). directed by mary harron.


i managed to catch it like the last 15 minutes. however i was taken with the righteous attitudes of the 50's. page was famous as the first bondage model in the era where what constitutes pornography could now be easily be found, say, in GQ managize or anything equally mainstream. well i came across it a few years ago and still didnt find it appealing or that shocking for that matter. what is more interesting was page's view on the whole thing, quoted from an interview:

I never thought it was shameful. I felt normal. It's just that it was much better than pounding a typewriter eight hours a day, which gets monotonous.

sourced from wikipedia

page as a model in a budding porn industry of the 50's was iconic; the film was excellent in its technicality and history. you would expect more sting from a film like this, but no, it is tame and too thin in its story telling, as if it is not significant to be told. mary harron of american psycho (2000) fame directed this film, i too was surprised at how short the material became in her hands.

2. copying beethoven (2006). directed by agnieszka holland.


beethoven was larger than life as a person. so to be beethoven resembles a burden, not a task. i didnt know ed harris had a beethoven project. i mean, ed harris, of all persons, someone who tends to be larger than life in the movies than what is required; this beethoven thing is going to be a double dose. the story was a fictional account of the two last years of the great composer's life and of his relationship with a budding female amateur composer, anna holtz. this beethoven guy, suffice to say, wasnt easy to live with. he purposely made life difficult for others. he was deaf before the age of 30 and it tortured him as a composer. thank goodness there was not channel e back then else it would have driven him mad. another movie based on him called immortal beloved (1994) in which gary oldman starred as beethoven, suggested the same mental state beethoven might have had towards the end of his life. that he became mellowed, felt he understood the tortures he had to bear throughout his life as a price to his talents. that he wouldnt achieved greatness if not for all that.

he was an annoying neighbour. he showered in the middle of the room and water runs directly to the floor below.

Monday, February 9, 2009

breaking and entering (2006). directed by anthony minghella.

1. UM should really put up bigger signboards. i cant read them small letters while driving because they are too small to see.

2. to avoid lazy eye syndrome one should paste the good eye with tissues or something and force the weak eye to learn to see again. i learned this from an eye specialist, mind you.

3. an interesting meeting with an ustaz in ijok. he went to libya and his wife was in sumatera. he was chuckling when he said he only saw his wife right before akad nikah. his wife quipped, if it's meant to be, akan berjumpalah di kawah.
 
4. sunday concert
j. haydn - symphony in d #93
- very clean and crisp, something modern musicians hate and dismissed them as boring. but i find it cute and cheerful, especially movements 3 and 4. for that reason too i will always take mozart as my hero.
k. szymanowski - symphony #4 op. 60 "sinfonia concertante"
- with 6 double basses you really can bring down the house. or invite hurricane katrina.
w. lutoslawski - symphony #3
- the conductor kevin field warned the audience that the music was going to sound strange. indeed it was. at times i thought i heard pontianaks wailing. it was like he was trying out each instrument and push it. it has far too many rests for a symphony. i was trying to look out for harmony and couldnt place where it was.



anyone with any self respect shouldn't have to watch jude law acting. nowadays movies are all about unhappiness, it cant be that obvious can it? are we that unhappy that we have to see unhappy people on tv? with regards to jude law, which is why i like closer (2004) where he got bitch-slapped big time by clive owen.

6. ukm could really use something to change that attitude. i waited for an hour at the science and technology dept only to be chased away by the most masam muka kerani who was annoyed when i asked whom could i see for the petroelum geology course. the guy, or rather, professor, wasn't even there. and i forgot this country is malaysia, so when someone isnt it, then nobody else in the world can help me out. i strolled for a reason when i saw the notice board, there were only 5 masters students for petroleum geology. no wonder.

Sunday, February 8, 2009

appaloosa (2008). directed by ed harris.

 
Everett Hitch: Life has a way of making the foreseeable that which never happens... and the unforeseeable that which your life becomes.

--

Allison French: Aren't either of you afraid?
Virgil Cole: Afraid?
Allison French: That you might get killed.
Virgil Cole: Oh, I don't know, Allie. Guess I don't think about it so much.
Allison French: Well, I'm afraid. But I'm afraid all the time.
Virgil Cole: Of what?
Allison French: Everything.
Virgil Cole: Like what? Hmm?
Allison French: Like being alone. Like being with the wrong man. Not having any money, a place to live.
Virgil Cole: I'll look out for you.
Allison French: For how long?
Virgil Cole: For as long as you need.

from appaloosa (2008)

Saturday, February 7, 2009

onegin (1999). directed by martha feinnes.


Tatyana Larina: Oh God. It hurts.
Evgeny Onegin: Why does it hurt?
Tatyana Larina: Because you are too late. Yes, you are too late Evgeny.

from onegin (1999)

Tuesday, February 3, 2009

schindler's list (1993). directed by steven spielberg.


Amon Goeth: I would like so much to reach out to you and touch you in your loneliness. What would it be like, I wonder? What would be wrong with that? I realize that you are not a person in the strictest sense of the word, but, um, maybe you're right about that too. Maybe what's wrong, it's not us, it's this... I mean, when they compare you to vermin, to rodents and to lice. I just, uh, you make a good point. You make a very good point. Is this the face of a rat? Are these the eyes of a rat? "Hath not a Jew eyes?" I feel for you Helen.
[leaning forward to kiss her]
Amon Goeth: No, I don't think so. You Jewish bitch, you nearly talked me into it, didn't you?


notes: the victim has become the master and forgot what it was once like.

Monday, February 2, 2009

the english patient (1996). directed by anthony minghella.


"I wanted to meet the man who could write a long paper with so few adjectives."
"Well, a thing is still a thing no matter what you place in front of it. Big car, slow car chauffeur-driven car. Broken car. It's still a car."
"Not much use, though."
"Love?"
"Romantic love, platonic love, filial love. Quite different things, surely."
"Uxoriousness. That's my favourite kind of love. Excessive love of one's wife."
"Now there you have me."

from the english patient (1996)

quiz show (1994). directed by robert redford.



Tagline: Fifty million people watched, but no one saw a thing. 

i have been wanting to watch this movie years ago but couldnt lay my hands on the dvd anywhere. it was on hbo yesterday afternoon and i was transfixed. directed by robert redford, it was a tale of a rigged nbc show that fed answers to its contestants in order to keep the ratings high. if only we have that kind of legal system here, i wonder...